The argument for cultural exception in Europe
The movies in Hollywood are being fabricated, while the movies
in Europe are being created. (E.Kusturica). This does not mean, that
Hollywood movies do not have any artistic value - because even to produce the worst Hollywood movie one needs to know a lot about art of moving images. Still, the work of art is called work of art because it works (H. Dreyfus) and here it is clear that fabricated movies work in a different way from those that are created.
If a filmmaker makes a work of art that shows you the world from their
perspective and you have this "A-Ha" effect - I have never thought of it or I have never seen it in that way - this is where the cultural value of not market dictated cinema production lies. To lose this kind of freedom would be devastating for European cinema tradition and end of the culture as we know it.
Ana Trkulja (written as an answer to the argument of Wim Wenders for
Cultural Exception in Europe in 2013)
Ana Trkulja - Film Director & Video Editor
born in Belgrad & based in Berlin
1999-2001 Studied Film Directing at alternative Film School "Kvadrat" ("Center for visual communications") in Belgrade
2003-2007 German language and literature at University in Belgrade
2007-2010 Media studies at Humboldt University in Berlin (M.A.)
Research of dramaturgical techniques supervised by Dr. Brian Toussaint
2008-2013 Film student by Wim Wenders & Robert Bramkamp at the Academy of Fine Arts - HfbK in Hamburg
Final exam by Wim Wenders & Gerd Roscher - Documentary about Two Suns Project about art workshops for inclusion of children and adults with disabilities into society in production of "Brotfabrik" in Berlin
born in Belgrad & based in Berlin
1999-2001 Studied Film Directing at alternative Film School "Kvadrat" ("Center for visual communications") in Belgrade
2003-2007 German language and literature at University in Belgrade
2007-2010 Media studies at Humboldt University in Berlin (M.A.)
Research of dramaturgical techniques supervised by Dr. Brian Toussaint
2008-2013 Film student by Wim Wenders & Robert Bramkamp at the Academy of Fine Arts - HfbK in Hamburg
Final exam by Wim Wenders & Gerd Roscher - Documentary about Two Suns Project about art workshops for inclusion of children and adults with disabilities into society in production of "Brotfabrik" in Berlin
Ana Trkulja & Prof. Wim Wenders at Final Cut 2014 (Photo by Tim Albrecht)
FILMOGRAPHY
- 2020 – The Monkey and the Wild, Wild Wind (In Pre-Production)
- 2020 - How Mr. Trkulja Screwed Google and Yahoo
- 2015 - Cat with a Heart
- 2014 – Two Suns Project (II) - 46 Min. (Documentary)
- 2013 – Two Suns Project - 96 Min. (Documentary) Camera, Directing, Editing
- 2013 – And Yet it Moves (Short Film made for "Kirchentag" - Wim Wenders' Programm on topic of "Faith")Screenplay, Editing, Directing
- 2012 – Prendre Son Pied (Short Film made in 48 hours for KinoBerlino) Screenplay, Editing, Directing
- 2012 – Who fucked Johnny Depp? (Short Film made in 48 hours for KinoBerlino) - Screenplay, Editing, Directing
- 2011 – Memory of Work – film editor for video installation, documentation and a trailer for Stephan Stroux and Long Night of Industry
- 2011 – Thief (neorealistic slapstick, 16mm, 8mm) – Screenplay, Camera, Editing, Directing
- 2010 – Once Upon a Time with Capucha – Fantasy, film for children, Camera, Editing, Directing
- 2009 – Daring venture – Journey to Japan 2030 (Portrait) – Camera, Editing, Directing
- 2009 – Healing of the soul (Portrait) – Camera, Editing,Directing
- 2009 – Asylum (Screenplay, Directing)
- 2009 – Documentation with Martin Körber about restoration,
archiving and disposability of visual media - Interview, Camera, Editing - 2008 – Documentation about techniques of animation – Camera, Directing
- 2007 – May Beetle - Der Maikäfer (Documentation) – Camera, Directing
- 2003 – The Latest Story About the Old Yuga (Short Film) - Screenplay, Directing
- 2002 – Here Kitty (Short Film for Children) Screenplay, Directing
